Bibliography

MUHL5321 Topics in Ethnomusicology

2^nd Draft Bibliography

Nov. 2^nd, 2009

Roger Landes

Abrahams, Roger D. 1977. Rituals in Culture. Folklore Preprint Series, 5, 1, Bloomington, Folklore Institute.

Bauman, Richard. Verbal Art as Performance. Newbury House, Rowley, MA. 1977.

Becker, Howard and Blanche Geer. “Participant Observation and Interviewing: A Comparison.” Human Organization, 3.

Becker, Howard. “Art as Collective Action.” American Sociological Review. 39.

Berger, Harris. Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience. Middletown, CT: Wesleyan University Press, 1999.

Bernard, H. Russell. Research Methods in Cultural Anthropology: Qualitative and Quantitative Approaches. Lanham, MD: AltaMira Press, 2005. 4^th Edition.

Blacking, John. “Towards a Theory of Musical Competence.” In E. J. de Jager (ed.), Man: Anthropological Essays Presented to O.F. Raum. C. Struik: Cape Town. 1971.

Caraveli, Anna. “The Symbolic Village: Community Born in Performance.” Journal of American Folklore 99 (289).

Cohen, Anthony P. The Symbolic Construction of Community. Tavistock: London. 1985.

Downs, Roger M., and David Stea. Maps in Minds: Reflections on Cognitive Mapping. Harper and Row: London and New York. 1977.

Dunn, Ginnette. The Fellowship of Song: Popular Singing Traditions of East Suffolk. Croom Helm: London. 1980.

Finnegan, Ruth. The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press, 2007.

Garafalo, Reebee. Rockin’ Out: Popular Music in the U.S.A. Pearson: Boston. Fourth Edition. 2008.

Hamm, Charles. Yesterdays: Popular Song in America. W.W. Norton: New York. 1979.

Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. Verso: London. 1994.

Lord, Albert Bates. The Singer of Tales. Harvard University Press: Cambridge, MA. 1960.

Lornell, Kip, and Anne K. Rasmussen, eds. Musics of Multicultural America: A Study of Twelve Musical Communities. New York: Schirmer Books, 1997.

Mayer, Adrian C. “The Significance of Quasi-groups in the Study of Complex Societies.” In Michael Banton, ed. The Social Anthropology of Complex Societies. Tavistock: London. 1966.

Middleton, Richard and David Horn, eds. Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities. Cambridge: Cambridge University Press, 1981.

Nettl, Bruno, ed. Eight Urban Musical Cultures: Tradition and Change. University of Illinois Press: Urbana. 1978.

Parker, Charles. “Pop Song, the Manipulated Ritual.” In Peter Abbs, ed., The Black Rainbow: Essays on the Present Breakdown of Culture. Heinemann: London. 1975.

Shepherd, John. Whose Music: A Sociology of Musical Languages. Latmer: London. 1977.

Tomlinson, Allan. Leisure and the Role of Clubs and Voluntary Groups. Sports Council and Social Science Research Council: London. 1979.